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Category: History

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History

How ‘Drive’ Set the Tone for R.E.M.’s Stark Opus

Before R.E.M. was finished making Out of Time, they had begun crafting Automatic for the People. They just didn’t know it yet. In December 1990,

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History

How Familiar Lovers at Berlin Wall Sparked David Bowie’s ‘Heroes’

“Heroes” is the second album in David Bowie’s deservedly vaunted “Berlin trilogy” of the late ’70s, but it was the only one recorded in the

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History

Why INXS Pushed for More With ‘Need You Tonight’

Success didn’t come overnight for INXS. Since its formation in 1977, the band had slowly but surely developed a following in its native Australia. Their third album, 1982’s Shabooh Shoobah, was their first

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History

How the Beatles Inspired Billy Joel’s ‘The Nylon Curtain’

Billy Joel was on a roll as he began making his eighth album. The singer-songwriter was riding three consecutive multiplatinum triumphs – 1977’s The Stranger, 1978’s

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History

Why Pat Benatar Had to Fight for ‘Shadows of the Night’

“Shadows of the Night” endured a difficult route to becoming a global hit single in 1982 – and Pat Benatar, who made it happen, endured

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History

How R.E.M. Explored Life’s End With ‘Try Not to Breathe’

“Try Not to Breathe” is a pretty bleak command. And, indeed, the second track from R.E.M.’s Automatic for the People is about death. But the

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History

‘The Love Boat’ Perfects Escapist TV

There is a legend that Aaron Spelling, who produced more television shows than anyone in history, once said, “Do you know what our suicide rate

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History

‘SNL’ Puts American Cars to the Test With a Bris

The Season 3 premiere of Saturday Night Live was a showcase for fan-favorite SNL host Steve Martin. But it was also a testament to Dan Aykroyd’s

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History

The ‘Wild and Crazy Guys’ Debut on ‘SNL’

An enduring Saturday Night Live recurring sketch comes together with a mysterious alchemy. Dan Aykroyd and Steve Martin’s Festrunk Brothers are an example of a

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History

Michael Stipe Goes ‘Out There’ for R.E.M.’s ‘The Sidewinder…’

As R.E.M. were completing work on their eighth studio album, Automatic for the People, in the late spring of 1992, the quartet’s members grew concerned

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