For roughly three decades, Tom Petty couldn’t quite shake the feeling that he had unfinished business to attend to. That unfinished business was Mudcrutch, Petty’s
Category: History
Former Runaways star Lita Ford had penned quite a few songs by the time she got to her third solo album, Lita, in 1988. But
As he rolled from Night Moves‘ breakthrough success into the first single from his Stranger in Town album, Bob Seger seemed to have a bone
Tom Petty and the Heartbreakers doubled down a year and a half after their self-titled debut fooled some music fans into thinking that the Los
Nikki loves Mary, but Nikki is a junkie and Mary is a hooker who’s become a nun. Nikki has been ordered to kill Mary by
With “Cult of Personality”‘s thunderous opening riff, followed by a crushing onslaught of drums and bass behind a volcanic Corey Glover vocal, Living Colour’s breakthrough song
The four painted faces of Poison’s C.C. DeVille, Bobby Dall, Bret Michaels and Rikki Rockett made their debut in 1986 on Look What the Cat Dragged In.
Aerosmith had already cemented their miraculous comeback by mid-1988 with a pair of Permanent Vacation smash hits, “(Dude Looks Like a Lady)” and “Angel.” But even in
Roger Waters’ self-proclaimed requiem for the postwar dream moved inexorably toward “Not Now John,” the thunderingly corrosive penultimate song on Pink Floyd’s The Final Cut.
After eight albums and almost as many years kicking around just outside of mainstream success, Bob Seger finally had a hit record with 1976’s Night