In the back half of the ’80s, as R.E.M. was crafting their fourth and fifth albums, the band’s music was becoming more direct. The sounds
Category: History
R.E.M. loved to cover their musical heroes – in concert, on tribute albums, for b-sides. YouTube and rarities compilations are rife with them paying tribute
How R.E.M. Mixed Dreams, TV and Politics on ‘End of the World’
If Document was the turning point for R.E.M., then “The One I Love” served as the hinge. Released as the lead single of their fifth
Billy Joel was about halfway through his eighth studio album, The Nylon Curtain, and sensing the creative strain. He turned that feeling into the album’s
R.E.M.’s second album, 1984’s Reckoning, carried a curious phrase on the LP’s spine: “File Under Water.” It was a designation, an in-joke or even an alternate
Joe Elliott likes to call “Pour Some Sugar on Me” “the most important song” on Def Leppard’s fourth album, Hysteria, and “maybe the most important
Eddie Van Halen’s “Eruption” solo popularized the tapping style of guitar playing, and in doing so revolutionized the sound of rock. Not bad for a
R.E.M.’s “Lightnin’ Hopkins” isn’t a song about the musician of the same name. Although the title of the third track on side two of Document
Two of rock’s most notorious personalities had to be separated by bodyguards when Motley Crue’s Tommy Lee and Kid Rock got into a fight on